Lark Music offers specialist insurance for musicians, covering both single instruments and large collections. They provide worldwide coverage for instruments, including rental or home insurance. To schedule your instrument, purchase a special rider from your renters or home insurance company. Lark Music offers financial protection for a wide range of instruments, kits, accessories, and cases. USAA’s “Valuable Personal Property” insurance specifically covers musical instruments in their marketing materials. Lark Music is the UK’s No. 1 musical instrument insurer, insuring over 70,000 musicians since 1960. They can arrange insurance for travel, including taking your instrument abroad. All-risk musical instrument insurance from HWI protects your investment against loss or damage on your premises or in transit worldwide. 1 insurer since 1960.
📹 The Terrible Gamble of Flying With Musical Instruments
0:00 – Intro 0:53 – Part 1 – Law & Policy 4:41 – Part 2 – Strategy 8:25 – Part 3 – Step by Step Guide on how to get your guitar on …
Can musical instruments be insured?
Musical instruments can be insured, just like classic cars and high-end jewelry, to protect them from theft or damage from disasters. This is especially beneficial if the instrument is cost-prohibitive to replace or is needed regularly for performances or teaching. Insurance covers not only the instrument itself but also the case, accessories, and sheet music. Homeowners or renters’ insurance can provide coverage for musical instruments, but it’s important to check coverage details.
These policies have a limit for the home’s total property damage and may have a limit per item. The per-item coverage may be lower than the instrument costs. Additionally, homeowners or renters’ policies only cover damages from “named perils” such as fire and theft, not flood. To enhance protection, a rider, also known as endorsement, floater, or scheduled personal property, can be added to the homeowners policy, providing additional coverage for specific valuables with a lower deductible.
Are musical instruments covered by travel insurance?
Musical instruments are covered for accidental damage if they are stored in a rigid-bodied, purpose-designed case at the insured location. The instruments must be kept within the main structures of the insured location and all security protections are in force. Cover for theft or attempted theft from a vehicle is only applicable if the items are stored out of sight in an enclosed compartment, boot, or luggage space.
All doors and windows must be closed and securely locked, and all vehicle security systems activated. All insured items must be removed and stored inside the insured location, and in-vehicle cover does not apply when the vehicle is at the insured location.
Can you travel with a musical instrument?
The US Department of Transportation’s Transportation Rules for Musical Instruments permit passengers to bring musical instruments as carry-on or checked baggage, with weight and size limits varying by airline. All instruments must be inspected at the security checkpoint and pass screening as checked baggage. Large instruments often require additional seats, and it is crucial to ensure they can be safely stored on the extra seat and do not exceed their weight or size limits.
Do I need instrument insurance?
Insurance for musical instruments and equipment is crucial for protecting your investment. Whether you’re a professional musician, an instructor, or a student transporting your instrument, we can help. Our insurance policies, underwritten by Lloyd’s of London, cover a wide range of instruments, from DJ equipment to grand pianos and electric guitars. We can help you find the right level of coverage for your musical instruments and equipment.
Are musicians insured?
Public liability insurance is crucial for musicians during teaching, performing, or touring, protecting them from liability for damages caused by third-party injuries or property damage. The MU provides cover for all music careers, including gigging musicians. This insurance provides peace of mind and support, allowing musicians to run community group singing sessions with confidence. The MU’s support is essential for maintaining a safe and professional environment.
Can instruments go through airport security?
In accordance with TSA regulations, musical instruments are subject to screening when transported as carry-on or checked baggage. Such instruments are required to undergo a physical inspection at the security checkpoint, and the TSA officer must be informed if the instrument requires special care. It is recommended that brass instruments be placed in checked bags. Ultimately, the decision rests with the TSA officer.
Is musical instrument insurance worth it?
Musical instrument insurance is crucial for musicians who depend on their instruments for their livelihood. It covers various aspects such as repairs, temporary rentals, and purchasing new instruments. It is also important for those who frequently travel with their instruments, as they may fall out of the overhead bin or react poorly to pressure changes. Collectors or those with expensive instruments should consider insurance, as it can cover the cost of repairs and depreciation in their value.
One of the main advantages of musical instrument insurance is peace of mind, as it protects the instrument and its wallet from harm. Even if the insurance is never used, musicians can rest assured knowing their instrument and pocketbook are protected. Insurance also provides access to a team of specialized customer service agents, which can be helpful when addressing issues over the phone. Most insurers are flexible, allowing musicians to choose the coverage that best suits their needs. Whether it’s a hobby instrument or an entire orchestra, a flexible policy is guaranteed to work for them.
Can I travel with my guitar on a plane?
The choice between a gig bag or hard shell case depends on the type of guitar you want to bring on the plane. For a checked guitar, a hard shell case is essential as it will be treated like any luggage by transport authorities. Leaving your guitar on the plane can be exciting, but it can also be stressful. To make travel stress-free, it’s essential to check with your airline’s policies and ensure your guitar arrives safely. This will help you enjoy your trip with your guitar.
Do airlines charge extra for musical instruments?
The Department of Transportation is implementing a final rule to implement section 403 of the FAA Modernization and Reform Act of 2012 regarding the carriage of musical instruments as carry-on baggage or checked baggage on commercial passenger flights operated by air carriers. This rule is in response to difficulties musicians have encountered when transporting their instruments during air travel. The rule will be effective on March 6, 2015.
How do I protect my guitar when flying?
A hardshell case offers the best protection for guitars, but a gig bag offers more options for storing them in overhead compartments or coat closets. Large instruments can be secured to seats as seat baggage or cargo in the passenger cabin. Carriers must place large instruments in the cabin if the passenger has purchased an additional seat to accommodate the instrument, which must be in a case and not exceed 165 pounds or applicable weight restrictions. Fender offers molded hard cases with TSA-approved locks and military-grade outer shells for checked baggage.
Do I need violin insurance?
Violin insurance is essential for anyone owning a valuable violin, including professionals, teachers, students, and individuals. It provides protection for instruments beyond student ones, and can benefit professionals, private violin teachers, students, music schools, and amateur violinists with high-value instruments. Insurance agents specializing in violin policies can provide guidance on the appropriate coverage for specific situations.
📹 Music Instrument Insurance to Prevent Damages While Traveling with Instrument
With over 300 Years of experience in the world of music, Vivaldi has seen it all. Protect your instrument with music instrument …
When I worked in a deluxe hotel, one musician who was a regular guest had this travel trunk about the size of a small ‘fridge. I asked him one day what it was. He opened it and there was a violin. It was on loan to him by a national bank. “What’s all this other stuff inside”? Protection, humidifier, heater, cooler, and computerized control. He told me the violin was worth $250,000. It had it’s own seat ticket, and never left his sight.
Few months back I toured Japan and I was amazed how courteous their attendants (well in my case was ANA flight crews) in assisting me over my bulky 5 strings Jazz. Even for an economy domestic flight, they provided a “soft box” to put the instrument in to check in, in a way to let the baggage handlers know that it needed to be handled delicately. Best part? They brought my instrument on a trolley and have them parked at the cargo conveyor upon arrival. Made the whole trip to Japan a breeze.
That same law also has an updated section for wheelchair users (like myself). Airlines have a similar attitude toward medical equipment that they do toward instruments. ‘Course, if my wheelchair gets broken, I’d be left bed-bound or floor-bound, and lose my ability to live independently. This is why I do not fly, anymore (even though my dad was a commercial pilot), period. I just can’t risk it.
For travel within Europe, for a number of reasons I would always look for railway options before booking a flight. A. The train staff will almost never hassle you about luggage at all. No airport stress. B. In a lot of European cities, the airport tends to be really far outside while the railway station is dead center. No need to worry about expensive and time consuming airport transfers. C. Trains are often more roomy, comfortable and may (or may not) contain a bistro car, sleeper cabins with showers, etc. Trains being an option of course depends a lot on the touring schedule and locations. If you go Rome – Helsinki – London, by all means, go by flight. There are high speed rail in many European countries, but it’s still land travel, so a somewhat neighbouring area is preferable.
Surprising that no airline has considered a musician loyalty program that guarantees you a reasonable amount of overhead space for your instrument. Seems like you could turn simply following the law into a marketing opportunity to get more loyalty program members and edge out the competition for traveling musicians lol
I guess one could build an extension that while booking airplane tickets it gives you information about the size of overhead storage of whatever plane you’re flying, and tell you what instrument can fit in there, which would also be able to collect and provide data about musicians traveling (at the least ones using the extension). That’d be one step into solving this madness maybe.
This was really eye-opening! I’ve been working as a ramp agent in the aviation industry for over 6 years (and have been a hack musician for much longer), so I always take extra care when handling musical instruments. One time I unloaded an acoustic guitar with no case and my heart sank. I prayed that it would get to Atlanta intact.
I have a lot to say about this, but I’ll be brief: 1. I live in Hawaii – so we have to travel by plane – all the time, even to outer islands. 2. For many years, I traveled with a 26-string harp (7lbs), or a handpan (15lbs). Never both at the same time. 3. Always, always, ALWAYS BE NICE to all airline personnel – they are all very stressed. Smile a lot. 4. Don’t present them with two problems – your instrument and a a) flapping chicken; b) Aunt Petunia’s Angel Food cake in a special box; c) some other obnoxious thing that needs special treatment. 5. For me, since it’s a harp, I let the flight crew know what it is, and I offer to play for everyone if there’s a delay. Maybe harps are special – flight attendants do not see them every day. Flight attendants are enchanted by the harp. 6. If you score an overhead bin, hopefully you can sit across the aisle and monitor the bin while people are boarding – offer to help people fit their luggage into the bin – be active and courteous, and when the bin is full, close the lid to discourage others from considering the bin. 7. Consider flying First – the cost is not all that much more, and you have more leeway. 8. 90% of the time, I get the green light for the First/Crew Closet – like Adam said, it frees up the overhead. 9. If you had a good experience AND have CDs of your work, give the flight attendants a copy. 10. What do I do now? I have a travelin’ cat now, so no more instruments can come with me. Two things – I stash two harps and two handpans on the US Mainland and leave them with friends OR I send them by mail – do NOT buy the USPS insurance – I did not have an incident with an instrument but I insured something else, and it never made it, and six months later I got $40 from the insurance, and the replacement cost would have been $500.
Hey, this might be a long shot but how about reaching out to one of the pilot/air travel Youtubers to just low-key spread the knowledge of the problem into the industry and hopefully get another set of brains on why this happens and how to maaaybe go about solving it or work around it (more effectively)? Mentour Pilot sometimes does collabs and has a decent-sized audience, for example, and at least judging by his on-screen persona seems like a decent enough bloke.
Guitarist in Japan here. I got to tour in Europe for the first time in January. I flew with KLM, used the large size coffin case because I could fit all my gear in there and checked it in as my checked over-size luggage at no extra charge, but was always prepared for it to disappear. So, I put together a tour rig that entirely came out to less than $800 USD. Everyone else in the band used Mono, wrapped in clothes like you recommended. The priority boarding thing is a useful tip.
I hate to give away my travel secrets, but one thing we used to do it shrink-wrap the guitar and bass cases together (In Europe they used to have kiosks where they would do it for a fee). The guitars were already considered oversize, and this would make it cheaper as they would be counted as 1 bag, and the extra mass would mean they wouldn’t get thrown around as much be overall sturdier against getting banged around. The other thing we used to do to save on extra fees by the pound was find a spot in the airport and take out our instruments to make the bags lighter. Have one band member wait with all the instruments. Then we’d check the bags, measure the weight, and they’d ask us to drop them in the oversize area. Before dropping them in that oversize area, we’d go and put the instruments back in the bags. Now that I’m explaining it, I can’t believe we ever did that! But we did it for almost every European flight! I’ve had my guitar (a Ric 350) lost once by an airline. They eventually found it and delivered it to my door 2 weeks later. Luckily this was at the end of a tour, so I didn’t need it for gigs. There were several times that our instruments were delayed, and we didn’t have them to perform. We’ve had to borrow instruments, or figure out another way to entertain people. Once flying to Rome for the biggest $$ paid gig, British Air didn’t get our insts on the flight. Luckily we had a laptop and we were able to throw together an all-electronic karaoke-style set and still play!
Man I wish this article came out two days ago, I flew southwest from Arizona to New York and both times they forced me and my band mates to check our instruments. And we would just watch out the windows as the baggage crew on the ground would throw our trombones tenors and bari sax ON THE GROUND!!! With no regard to how much these things cost. And they even broke one of our tenors as well 😭
Still not over the fact that when i travelled with the guitar i built during covid & booked a seat for it, it would NOT let me fly unless I uploaded a covid test *for my guitar*. Like, I could not check in without it. I ended up uploading a pdf with a picture of it and the note “Hello. My guitar is a guitar. She is made from wood and cannot have the coronavirus as it is a people virus and she is wood and metal parts with some plastic. Thank U”
I would definitely suggest looking at train options when touring. Especially in most of the EU and parts of Asia, trains are great for convenience, cost and, importantly, space for carrying instruments! Obviously, a flight is sometimes the only option, but if for example you’re doing Amsterdam -> Antwerp -> Lyon -> Vienna -> Milan -> Rome, trains definitely are an option.
Can confirm that touring with woodwinds is just as much of a problem. Probably like 70% of the time there’s no issue, but the alarmingly common 30% of the time where there is an issue is scary as heck. “We’re going to need you to check one of your bags at the gate.” “Well, you can have my backpack with my electronics, books, and sheet music, then.” “I don’t know, that other bag looks pretty bag. Will it fit under the seat in front of you?” “I’ll make it fit—my $9000 oboe, $7000 backup oboe, and $4000 clarinet (thank god I don’t have to worry about that one cracking in cold theaters) that I need to have functioning the day after I arrive are under NO circumstances leaving my sight.” And don’t even get me started on when there are weight limits to your carry-on baggage…
i used to think gate checking was a decently safe option until i remembered when john b. williams gave a talk at my high school. he mentioned that once he was on a domestic flight and had to gate check his double bass and when they tossed it in he could already tell the neck was damaged. when he got it back it was unplayable so he had to borrow a student’s bass from a school nearby the venue. i could also be completely misremembering this anecdote though lol
Adam, for some reason I’m finding it difficult to find an article again, but I recently ran across one explaining that some airliners are now stashing guitars, basses, and other similar-sized instruments in the extra space around the landing gear. That means the instruments experience even more extreme conditions than inside the baggage hold.
Thanks for the article. I’ve been in these situations hundreds of times, as both a performer, and a guitar tech. I once had to do a 2 week Australian festival tour with my backup guitar, as Qantas lost half the band’s equipment on the way over. My main guitar finally showed up on the last day, with a broken headstock. One option that wasn’t mentioned is working with a logistics company that specializes in music gear, like Global Motion. If you have many pieces to check, and enough lead time, they will make sure the gear arrives safely and on time. I would mostly recommend the custom ATA flight case option, with the downside being there’s a chance of lost baggage. But if the alternative is gate checking a gig bag, for me the pros outweigh the cons for overseas and one-off travel. If the group is flying daily with instruments, this can obviously get a bit unreasonable, logistically. For tours with daily flights, I will tend to backline as much as possible. I’ve even backlined guitars and pedals on radio promo tours. If you are a virtuoso with an intimate connection to your instrument, this will not work for you. I would even go so far as to rejig the schedule to allow for ground travel, if it’s at all feasible. It all comes down to how tight your margins are. Ultimately, though, if you need to take a priceless instrument on weeks of daily flights for tour, as in your case, it will always be an uphill battle, until something changes. It is unfair. It is bullshit. And, sometimes, it is beyond our control.
I was roadie back in the 60’s-70’s and flew a lot and can’t imagine touring today. Back in my day I few gear as baggage all the time and with some small groups not even in flight cases. One band who guitar player is now famous he would take his Fender Deluxe stuff a hotel pillow in the back to protect the speaker and just put a slipcover on and flew it like that in luggage never a problem. Another group the artist was a Hammond B3 player and had a chopped B3 that weight about 200 pounds in it’s flight case, with generous tipping of skycaps I flew that thing as luggage. Another band I had a flightcase made that held all the bands guitars and bass. It was made to fit the dimensions of standard baggage chute with wheels and handles all over. I flew it as luggage and it scared a lot tourists seeing that huge case come down the luggage chute onto the baggage carousel. Sometimes with something like Jazz guitar you don’t want them in the freezing cargo hold you could request gate check-in and your guitar be hard loaded. What the airline did was hand load the guitar into the cargo area where they put pets and other fragile things. That had air, not a cold, and usually guitar was handled safely. My one suggestion then and now when flying gear is use flight cases is to put lots of handles and wheel on the case. Those baggage handler have terrible job with airline pushing and pushing them to go faster. Well if you gear is easy to handle they will teat it nicer. if it is a pain to lift and move it will be treated like crap.
I’ve traveled with brass instruments quite a bit and thankfully I’ve only had one issue where the bell of my bass trombone got bent, but thankfully it was cosmetic. On the other hand just before I joined, a brass band I play with flew to Norway for a week and nearly all of their checked luggage was lost along the way leaving them to have to borrow instruments. For one of the trombone players he flew out of LA, spent that week in Norway and when he returned home he learned that his trombone, which never made it to Norway was in San Francisco.
Thanks, Adam! I’ve been flying with musical instruments since about 1990, and it’s an ever-changing challenge. Everything you say here is current, relevant, and a best practice. I’ve learned to scan the waiting area and tag-team with other musicians – sometimes collaboratively filling an overhead compartment with 3-4 violins & violas. That way, we’te good stewards of the space, and we prevent heavier items from being put on top of our instruments. In recent years, I’ve had great experiences with Delta- an AFM boycott in the mid 2000’s helped to change the way they had been treating musicians. It’s a flight by flight journey, though, and these tips, plus courtesy go a long way. Thanks so much.
It’s frankly insane how much Airlines are able to get away with that sound SUPER illegal. Imagine pulling up to McDonald’s only for the employee to break your phone, not give you your food that you paid for for hours, and then force you to stay in that McDonald’s for multiple days without compensation because they “don’t have to compensate you if it’s due to weather.” I booked a flight from Bozeman to Las Vegas a few months ago and they cancelled our flight without compensation due to “Unsafe winds in Las Vegas” Checking the wind speed in Vegas at the time, it was 4 miles an hour. The reality was the flight did not have enough crew, but if they admitted that then everyone booked would have been given compensation, which the airline does not want.
As a bassist currently on my first international tour (just got off the stage in kyoto, japan) this article hit home. I ended up borrowing a bass locally for this tour because I was so worried about flying with my own, but that’s not ideal and isnt feasible in many situations. Adam, I enjoy all your articles but especially appreciate when you get political, like here and in your article on copyright. Probably nobody in charge is perusal, but if enough people become aware of theses issues, maybe change is possible. Keep fighting the good fight!
Flown with my tuba once. Absolute nightmare having to check it in as “bulky luggage” which costs twice as much as a regular seat, only to still have it get manhandled and violently thrown into the cargo hold. World’s foremost tuba soloist, Øystein Baadsvik, went so far as to request a special model from the instrument makers that could detach the bell and fold in the valves to make it fit into a regular suitcase, just to avoid these ridiculous regulations. I’ll also mention jazz/funk trombonist Nils Landgren, who always travels with his trombone in a viola case, because for some reason, most airlines have a policy to allow string instruments in the cabin but not brass instruments. Absolutely wild that us musicians have to jump through these ridiculous hoops just to be able to safely travel with one extra bag.
One of the craziest things I’ve encountered recently is calling the airline helpline only to get conflicting answers… over the same call. And I’ve had crew tell me there was no space only for me to try it and see it actually fits. Traveling with my guitar makes me so anxious because of the unpredictability of the whole situation. Last summer, when I saw the Julian Lage post you mentioned, I followed his tip and put screw inserts into the neck of both my teles. It’s IMO the best method for guitars with bolt on necks, because you only have to replace the strings between each flight and carry a screwdriver. The neck is still longer than the dimensions allowed by some airlines, but it’s way more inconspicuous than trying to hide the guitar at check in 😂
I am one of those guys that detaches my guitar’s neck and body and fit everything in my backpack. The few strategies I have learnt throughout my gigging experiences are: 1) Fly ANA, they will literally ask if they could test and see if your guitar fits in the overhead cabin, otherwise, they would offer to put your guitar in the business class garment closet. 2) Get a strandberg, they fit in overhead cabins easily.
Adam, Im a crewmember in a large US airline. Heres my advice… Pre-board at the very beginning of boarding for “people who need extra time”. That’ll give you an empty airplane… More importantly emptyish closets. Kindly ask the flight attendants if you can put it in the closet or if they have a better idea. NEVER CHECK IT! Search YouTube for “united breaks guitars”.
My sweetheart and I went to Denmark a few weeks ago, and he brought his guitar. I was advised not to let him, but he had a hard case, so I thought it’d be fine. Delta was thankfully very kind to it, but once we got on a connecting flight to Denmark via KLM, the guitar didn’t arrive with us, but came in the following day, the case having been beat to hell, and seemingly pried open on one side. They couldn’t get it open all the way because the case locked with a key. The guitar, miraculously, survived, even without packing clothes in the case. (Didn’t know about that one beforehand) I’ll see about using these strategies next time. Granted, neither of us are touring musicians, but since my sweetheart is a lefty, and we weren’t going somewhere flush with music stores, that was the only way he was going to get to play anything.
Many “airline” staff in airports aren’t employed by the airline. Even though they may wear the airline’s uniform, they are often employed by a specialised airport labour hire company like ‘Swissport’. This is especially true for smaller airlines and for larger ones at smaller airports. I don’t know how this affects things exactly, but it could be that the service agent isn’t overly familiar with the airlines policy.
100%. Be as polite as humanly possible for as long as humanly possible, use a bulky soft case with sufficient padding so you can gate check without getting depressed (if you’re touring a lot by plane you will have to and you know it), and hope for the best. I’ll be over next week for a Greek Pop/folk tour, a few domestic flights involved, will let you know how it went. Struggle is real.
Under the deception category… 😅 On top of being very avoidant with the gate agent about your instrument, if they tell you you’re going to have to gate check it, this often means they give you a gate slip. My advice is to just graciously take it and when you’re out of view put it in your pocket, similarly to what Adam says about saying you want to take it to the gate. This will diffuse the situation and put you one step closer to getting your instrument in an overhead. In my experience I’ve never been stopped after the gate agent with my instrument so long as there’s been room. You also essentially get a re-roll on the person keeping you from flying with your instrument safely. 🤣 I’ve had some gate agents single me out and be pretty mean to me. I’m 3-0 on gate agents telling me my instrument won’t fit in an overhead. I’ve had them suggest “options” for me to fly with my instrument only to tell me it’s too late. 😔
Back in high school, my youth orchestra (from the US) went on tour to France and England. Our strategy was violins, violas, trumpets, French horns, saxophone, and maybe (don’t remember) trombones and bassoons take instruments as their carry on, flute/piccolo, clarinet, and oboe pack them in their checked luggage, and cello/bass brought their bows and instruments were rented for them through the community music school we were exchanging with. It was a whole messy system but it worked, I think mainly because a lot of the carry on instruments don’t necessarily look like instruments on first glance to the untrained eye.
Haven’t read the comments but – I did try one strategy pre-pandemic that I’ve not heard mentioned, but that worked amazingly well. I was nearing the end of a long dense tour, and of my patience. The gig called for a six-string bass, which meant I had to take my prized MTD – but It was a jazz tour so minimal budget or room to travel with bulky flight cases (I also have an SKB Bass Safe). So I traveled with a soft case, a Mono, and gritted my teeth on those occasions I was forced to gate check, in violation of the airline’s own policies and often of the law. Then before the last leg of the tour, a thought struck me, and I spent half an hour or so putting together a document which I printed out, folded up and put in my jacket pocket. If I recall, the first flight went well, but on the second or third I hit the proverbial wall; the ticket counter clerk wasn’t having it, even as gate check, and insisted I put it on as regular baggage. I tried politeness and reason but they were adamant. I stayed cordial and unruffled, and pulled out the document and told them I’d need them to read and sign it. Paraphrasing from memory, it said “I acknowledge that passenger XX has reminded me of the airline’s written policies expressly permitting musical instruments in the cabin, that having read these policies online XX packed his instrument for cabin travel and NOT cargo, that the instrument is fragile and has a value in excess of $6000 USD, and that I am refusing to allow him to take it on as cabin baggage.
I carry on a backpack, pelican air, and trumpet with the combination strat. You only technically get 2 carry on pieces. I use a carabiner to clip on my gig bag to the backpack side by side and slide by the gate check every time. 100’s of flights… Thanks for making this article. This is important info!
I once missed a flight because my bass took too long to show up on the oversized luggage conveyer belt. Senior year of my undergrad, flying into Chicago from Frankfurt after having spent two weeks in the Baltic states. We had less than 90 minutes to get off the plane, go through customs, pickup our luggage, and board the last flight back to our home city -_- I ended up having to stay with one of the professors at a hotel for the night, and fly out the next day.
Great article as always! I can share a bit of insight in the points you mention briefly regarding insurance (I work in insurance as a trainee actuary although I don’t have expertise in anything to do with instrument insurance. Also I fully appreciate that this isn’t the main point of the vid and doesn’t really change anything, this is more for extended reading if anyone is interested!) In order to price an insurance policy you need to know two main things: 1. how much will claims cost? 2. how often will they occur? The first question is easy since it’s the value of the instrument. The second is of course much harder. The obvious approach is to try to work out what causes claims, such as damage/loss in flights, but in reality this as mentioned is extremely hard to get data for and calculate. Instead what I suspect is done is that all the policies are grouped by for example “instruments which stay in one place” / “international cover” / “national cover” / etc. Then the insurer will just look at what frequency policies claim in each group, and voila you’ve got your number! In other words, they will look at past claims frequency and unless there is a notable new risk, assume that future claim rates will be similar so can use this to price the policy. No guessing about how often people fly with instruments or anything like that needed.
I found myself once in the situation where I had to take FOUR ukuleles onto a plane, while travelling with my wife. The cases were all pretty small, so I KNEW they would ALL fit under the two seats in front of me (and I had no other carry-ons), so I put them all into an open-top upright roly bag, and quietly pulled all the cases out and stuffed them under the seat. A flight attendant on the plane saw me do this, and freaked the F out about me having FIVE carry-ons. When they demanded I give them up to be gate checked, my incredibly level-headed wife realized they had asked for ONE item to gate check, and surrendered just the empty roly-bag, leaving my ukuleles safe under the seat. Wheew! Also, for those reading this far, one tenor-sized ukulele case fits sideways in the space occupied by two standard carry-on bags. But since my wife ALSO brings a tenor, our two cases stack to occupy the same space. So – two people, two overhead carry-on spaces! Anything smaller than a tenor will fit easily under the seat in front of you in a hard case. I imagine this is also true of most violin cases, though I have no data to back that up.
As a touring and traveling musician-it’s wonderfully fantastic to see this extremely important article out there, Adam. Thank you. I recently purchased a new bassoon-partially because it breaks down into a case with smaller dimensions than my previous one. All to avoid detection as a ‘musician’ traveling with ‘musical instruments’. It’s so amazing that most travelers put everything on as hand baggage because they don’t want to have to wait at baggage-yet us musicians who really need that space aren’t allowed to carry on the tools of our trade. The strategies are so important: look into how much time between flights on a multi-flight trip and all the rest you mention about plane overhead space sizes and airline ratings. I often go up to the counter and say “I need a little extra time to get down the runway’ and I’m offered that so I can go on near the head of the line. It helps that I’m older and not a young pup who looks perfectly healthy and therefore doesn’t ‘need extra time’. Traveling as a working musician has gotten tougher and tougher. No romance left to traveling as a musician-the 2 hours on stage ends up as the reward for all of this.
I received a guitar from my father 1972-1975 Epiphone EA-250 hardly used and in mint condition. Even the guitar repair guy just loved it. Anyway, I was not going to check it in check luggage. I carried it through security and on to both planes. I got to be in first class and I always try to be in first in line. Both times I put in the over head baggage area. It wasn’t hard to put it in, but being a petite person I had issues getting it down. Taller people helped me and I thanked them profusely for the help.
I’m only travelling with a fiddle, which is obviously less of a challenge than a guitar. But I always write to the airline customer service team and ask them to confirm in writing that I can carry it in the cabin on that specific flight. I’ll quote their policy in my request. I print out a hard copy, arrive early for checking, and arrange early boarding. It’s always worked so far.
Having flown around the globe with a bass, I feel this. Steve Bailey told me a long time ago that you are always within your rights to ask to speak to the captain if it pertains to your overall flight experience. He was right. I got stopped about a gate check, and politely asked if I could speak with the captain about it. The flight attendant quickly changed her tune and said “I think I actually might have some room in our coat closet” (and she did). If I’m flying domestically, in the past, Southwest has been great by offering the Early Bird discount – a small fee (maybe $25 last time I did it) to board the plane early, and since there are no assigned seats, it mitigates the risk of anyone complaining about having my bass in “their” overhead compartment. Keep fighting the good fight, everyone 😅
I’ve flown International (USA to Ireland) a few times carrying a bass in a gig bag, luckily Ive never had any issues. The 1st time after buying a bass in NY I was in JFK going home and the lady at the check in desk looked at the gig bag on my back and “They won’t let you carry that on, it’s too big!” and I just replied “But I brought it over with me and nobody said anything to me!” and she just replied “Oh that’s fine so go ahead!” 😂 Another time when the overhead bins were full the flight attendant offered to put it in their closet for me which was great! The main trick I use (which I saw Victor Wooten say) is to carry the gig bag by my side with the headstock pointing back as it almost looks like a laptop case when viewed from the front then! 👍🏼
I play the Shamisen, it’s a japanese string instrument for those who didn’t know. Most Shamisen these days have something called “mitsuori”, meaning the long neck of the instrument is in three pieces that are really easy to take apart and reconnect, this makes it really easy to travel with. My case wasn’t as lucky though, since it was large enough to have to be checked as “bulky luggage”, it was probably thrown around a lot since it was really damaged when I got it back. Best of luck to anyone traveling with their instrument!
I used to work with the keyboard tech from a fairly large British band from the 80s (not name-dropping here). He said that (at the time) he had a huge amount of success touring the keybaords in the their original cardboard boxes. A flightcase looks sturdy so gets chucked around (with the results that you showed), but a slightly battered cardboard box, held together with tape and bearing the manufacturer’s name and a picture of the contents gets treated a little more gently.
From my experience bringing a guitar on a plane in Indonesia, the flight attendants are usually very accommodating and would offer to hold on to my guitar (placing it somewhere in the vicinity of the crew area, maybe in a closet). I’ve never needed to put my guitar in the overhead bins and even if the attendants didn’t offer to do it for me first, I would just ask them nicely. So far I’ve never had any problems.
I have so much to say here… this article is such a good encapsulation of what we go through. Adam, we’ve never met but you saved my friend Jeremy in India at the Jaipur Jazz Festival when half his band couldn’t get into the country. I was there too, with saxophonist Kirk MacDonald, but didn’t see you… we were travelling in India, and I was sticking to my main approach which has been set for years… smallest possible cymbal bag– Jimmy Cobb style 20/18/14, smallest carry-on suitcase… just enough for one suit, pair of shoes, a couple of shirts, and some casual clothes. It’s so ridiculously barebones, but I arrive to every gig with every single thing I need. I pack a duffel that folds into itself into my suitcase so I can have a bit more flexibility if there’s van travel or whatever between cities. I wear the cymbal bag like a backpack, it’s my “personal item”. It’s way too big to be my personal item, but nobody ever knows its there, because it’s on my back like every other backpack in the airport. If there’s some kind of announcement like “we will be boarding families with small children, then wheelchair passengers, then anybody who needs a bit more time” I’m all over that… I need a bit more time, can I pre-board, etc? Yes to all of that. On super full flights at the height of summer festival season, I have muscled into first class lines and played dumb when handing over my ticket just to get on the plane first. I put my suitcase up, stack the cymbals on top… takes up no more cubic space than any other personal item, it’s just wide and flat.
For a musician, the instrument often has more value than what an insurance company will compensate for it. E.G. if I lose this midi controller, I will have to reconfigure it with all my software from scratch. That’s already giving me nightmares. This guitar is the one I know won’t have humming issues, because I changed the pickups and soldered everything myself to be absolutely sure every pot and every solder joint is secure. It’s just such a personal and esoteric relationship we have with our instruments and not to mention the rest of our gear and our setup represents hours upon hours of time to get back to the same place if we have to replace it. This is not even to mention the very hard to describe ergonomics that come about from modifications and sometimes a great deal of wear.
flying with the strandberg has been fairly painless which is awesome. but mannn pretty much every guitar other than that airlines always give me shit :// sometimes they are nice and let me use the coat closet. Asking to “pre-board” because of fragile luggage can work to get on the plane early, and then usually I sort of babysit the overheard while others are getting seated. Most people understand and will help work around the guitar.
“To those of you who treat me with contempt… quit your job, you jerk.” Seriously though, I look forward to some hypothetical day where they start measuring the data mentioned in this article so that better measures can be taken in scenarios like these, and musicians can just focus on musicking. Edit: IT WAS A SEGUE AAAAA
It was neat to see Southwest still in the green. My friends and I befriended an indie band at a con years ago, and then we ran into them at the airport. I asked them why they flew Southwest, since we’d had issues with that carrier. The frontman said they never had issues with their instruments as carry-on with SW and for that they’d put up with the random seating lottery.
Yeah it’s always stressful touring with my guitar. So much so that I just check it in a flight case now, as air Nz (the main airline here) is the worst at allowing carry on. When I travel internationally I usually carry on, as the airlines are usually used to carry on more than here in NZ. Sucks it’s like this, wish I would be more consistent like you’ve said
Traveling with my violin, I always try to go into every boarding situation with a plan (get in line and board as soon as possible.) I also try to reserve a seat toward the back of the plane—if I’m in the first main cabin boarding group and get towards the front of that line, the overheads in the back of the plane will still be pretty empty by the time I get on. If gate agents or flight attendants question my ability to put my violin in the overhead storage, I try to take a firm but polite stance: “I realize the flight is filling up, but my violin can’t be checked. It’s both valuable and fragile and needs to stay in the cabin. Can you help me find a good place for it?” Sometimes that’s meant it ends up in the coat closet, but that’s better than most other options!
I travel with an alto sax, Sopranino sax, bass flute, flute and yamaha WX7 wind controller with a small synthesizer. Everything fits in a back pack, except for the alto. I am seventy years old, I request a wheelchair so I can board first. I have sometimes received resistance but I always succeed in getting my stuff into the overhead. Being 6’ 2″ on a flight to Asia helps because I offer to assist the other passengers, who are very grateful. I would NEVER put a musical instrument into check on baggage. While on tour I once checked my effects rack, which was in a double Calzone case. My Marshall Time Modulator was damaged beyond repair, even by the guy who invented it! He told me that when he opened it up about a dozen parts just fell out, they had shaken it to pieces! They toss baggage around, they don’t have enough insurance to cover you axe. Never let your instruments leave your hands. Remember you have the right, by law, to put your instruments into the overhead.
In my admittedly VERY brief travels where I’ve also taken a guitar with me, I was able to stow it in the little closet up front near the entrance of the plane every time. Granted, I believe this is for the flight attendants to use for their personal items, so your mileage may vary. That said, I never had any pushback where I had to “convince” them to let me stow it there; and I wasn’t using a gig-bag either. We’re talking a full hard case. Edit: didn’t realize at the time I originally wrote this comment that you do touch on this in the article, lol.
We flew Delta to Ecuador with our instruments. We had no problems with our guitars in the overheads until our last flight from Atlanta to Richmond where the gate agent demanded that we gate check our instruments and placed a special tag on my instrument denoting it was to be gate checked. As I was about to board, a flight attendant saw the tag and warned me that the tag was going to cause my bass in a gig bag to go through the entire baggage system. He said there was no way that he would allow me to risk damage to my very expensive instrument and tore the tag off and waved me onto the plane with my bass. Thanks, dude.
Flying with a violin or viola is a dice roll nightmare, even with my humble instruments, which are the most expensive single items i own. (Blue Book on my car is like 1.5k, my “big fiddle” is +/- $2k. A “professional” violin is in the realm of $5k-10k starting. Bows often cost just as much as the instrument and are stupidly fragile in many ways). There is many an article in The Strad about some airline worker telling a soloist that they need to cargo check a Strad, Amati, Guarneri etc. Bugger loosening strings on an instrument with a soundpost too.
As somone starting a music school in West Africa, this is super accurate. I brought around 15 wind instruments with me when I moved. Thankfully, I was able to put all of the smaller instruments into an action packer, and carry on my alto sax with no issues. But I really feared for the tenor sax in a hard case that I had to check.
I fly regularly with a bass and a Mono bag and a Tick. I fly Southwest as much as possible, and bought boarding upgrades until I got A list, which gives me priority boarding on every flight. I’ve never had a Southwest flight that didn’t let me put my bass in the overhead compartment, boarding in the A group. So, I fly pretty much worry free with Southwest. Delta is my number two choice because they have generally been pretty good, and then all other airlines seem like the wild west to me, with my goal being to slide under the radar and be quietly friendly, so I don’t attract negative attention, and confident that I know what I’m doing with the instrument. Even if they red tag my bass at the gate, I just say ok, and then take the tag off on the way down the jetway and hope for the best with flight attendants. It really is a challenge. Thanks for putting this article together…I think you had some great suggestions here! It’s also a great time to plug the Mono Vertigo Ultra bags because they have wheels and rolling it is just one more way to keep that huge bass from sticking way up in the air to get gate agent’s unwanted attention.
The hold pressure changes during flights. As a result baggage can move quite a bit and often compresses down under higher pressure. The best option is to pack your instrument case in the cardboard box it shipped in. Add some of your clothes as well. This absorbs some of the knocks and pressures of travel. The manufacturer has chosen this method of packing because it generally works. Ask your local music store, they will often have a box that suits your case.
Son’s a tuba player. I’ve traveled with him on occasion to auditions. We were on a flight out of Tucson leaving from ITEC (a competition) at the same time the University of Arizona hosted both that competition and a wheelchair basketball tournament. That flight was an interesting one to board. We had purchased a seat for his tuba and had to argue with basically every TSA person we encountered. We had printed out the FAA regs and carried this with the paper ticket. He has flight cases now, but transporting a flight case for a tuba is about like taking Dracula in his coffin with you. He took it to Boston for his NEC audition and the Uber XL driver threatened him with a baseball bat to keep him from putting it into his van.
My instrument is euphonium, and I’ve got one more tip for instruments whose cases are not as long as a guitar. On smaller regional flights, my euphonium, even in it’s soft gigbag will not fit in the overhead. I typically purchase window seats, and put the instrument under the seat in front of me, put a foot on top of my case, then put a blanket over my lap/legs. As long as the blanket isn’t covering up the seatbelt buckle, most flight attendants won’t give it a second look. My instrument is definitely too long to be under the seat in front of me, but the blanket obscures this fact.
Get yourself a sturdy Peli Case and just check your guitar/bass. I’ve taken my guitar on tours and flown across the pond so many times and the only time I had an issue was that my baggage got delayed during the crazy summer of 2021 after COVID when every single airport on earth was backed up. Also, make sure you put straps around your case to avoid customs messing with your stuff. I realised that half the time they don’t even bother opening the case because they’re legally required to put the straps back how they were.
Not a touring musician but I have experienced problems flying with a cello (well it is different from what you have experienced) but a few years ago I had a cello exam coming up after my trip to the US (I was going to be in the US for a whole month visiting my relatives who immigrated there from Hong Kong) and so I had to bring my cello there to practice. The airline had put my cello on a different plane without informing us (we were flying to Seattle and then to Salt Lake and the cello took a different route) and my cello arrived very late. My dad had to drive over an hour back to Salt Lake City for my cello
Re dismantling your guitar … I’ve done it. If you do it a lot I suggest replacing wood screws with bolts/inserts. And don’t forget to pack the tools you need to reassemble. And be careful selecting the tools you use. For example, a multi-tool that includes a knife could easily be confiscated. And there are designs that are much more “travel friendly”. For example, headless guitars.
Hot tip. Idk why but lots of flight attendants I’ve flown with actually offer to put my guitar in the little “flight attendants only” storage area at the front of the plane. If you can get past getting gate checked, if you ask a flight attendant nicely or throw up your hands and say “is there a place where I can put this? 😗” at the front of the plane, if you’re lucky they’ll let you put it in the special storage place. Otherwise good luck 🙂
Just got back from playing in LA and I took my 1963 P Bass . I put the body in my carry on suitcase and bubble wrapped the neck and put it in the overhead locker . Was easy . Both British Airways and American airways where perfectly fine . On the same trip our guitar player had his vintage Martin in a proper moulded Case and TSA inspected it and put it back incorrectly and the entire body and heel block snapped right through. And yes strings where loosened off . This always happens
I have the same experience travelling with my father who is a tetraplegic with a foldable carbon fibre wheelchair. My oh my have we used different strategies around the “first come, first serve basis”. All different type of storage methods have been used. You should never have to lose or damage your wheelchair due to bad cargo handling…
This is so familiar to me as a gigging musician in the UK and Europe. All these strategies I have tried, they create stress from the moment of booking the flight until collecting at the carousel. Some rules are absurd, I was told by check in staff that a hard case is not permitted in the cabin overhead lockers as it’s a safety risk to other passengers (any other type of case would fit that description). When I asked what would make my guitar case acceptable I was told that it would need to be in a soft case. What musician would risk a £4k instrument (in my case) with the risk that it would end up being put in the hold for whatever reason eg full plane?. Just one example of many
Oh man, thanks for the article, great tips. I’ve flown with a guitar twice, the first time it was a nightmare, the second time, I flew with Iberia in Spain and it was very very pleasant, they have good politics regarding traveling with guitars. Next week i’m taking a 12 hour flight with my guitar, that is making me very nervous, hopefully it goes smoothly. Cheers!
The very first time I ever travelled with an instrument was with my first ever instrument, an acoustic guitar. I kid you not, they made me gate check and then forgot to load it. We had a flight from San Antonio, Texas to Belize (Central American/Caribbean country), with a connection in Houston. We get to Belize literally hours later and then we are waiting at the baggage claim and I even asked the employee there if they saw it. Turns out they forgot to load it and it was on its way to Houston. I didnt get it until the next day and I was scared shirt less and hoping it wasnt broken. Arrived “fine” but istg i was super scared throughout the whole thing regardless. That wasnt with Southwest, and thank goodness the next two times were with Southwest because the electric guitar and bass i brought down managed to get carried on without any hassle.
Pilot and musician here, sorry from the whole industry that you guys have to put up with this. Ps just a correction in the clip you played at 8:51, American does NOT fly A380s. What he meant to say was A320s and A321s. The A380 is the biggest passenger aircraft in the skies and no American Airlines fly it.
Instead of booking your ticket online, call the reservation centre and explain that you travel with a valuable instrument. They can add a note to your electronic ticket that can save you a lot of hassle at the airport. I once flew from the US to Europe with two guitars using this method and even when they asked people to check their hand bags because the plane was full, I could take my two guitars on board!
I was on a plane with Jose Feliciano a couple weeks ago on an Alaska 737. HNL to SFO He had his handler carrying his guitar, and had early boarding due to his blindness. No problems for him at all. Right in to the crew closet. My wife and I had ukuleles in cases and they didn’t question us either. Full plane as well.
As a researcher I go though similar shit when travelling with scientific equipment. I don’t know why companies don’t offer the equivalent of business class, but for baggage. You pay extra but get extra care and live tracking of the baggage. I’d happily use it. When flying domestically sometimes it’s easier to ship the equipment as cargo, via courier. But if you’re flying internationally that is a sure way to get duties charged at every border crossing.
This came at the exact right time. My brother is staying at my grandma’s at Dominican republic and I really want to get my nylon string guitar from there to NC state where I’m currently living and it has been nerve racking thinking about what I should and shouldn’t do. My 15 year old nylon guitars bridge broke after so long and the repair is worth more than the guitar
Air New Zealand used to unilaterally let you bring guitars onboard. Then, right around the time their competition pulled out of the market, they changed their policy to basically not allow anything bigger than a viola. Really frustrating. Hoping to tour overseas soon, & it’s a major anxiety as to how to actually get our instruments where we need to go
When you are the first one at the gate to put your Les Paul (know for breaking at the neck) on the overhead compartments, which is inside a Mono bag because if it was in an hard case it would have been sent strait to the hold and the last guy to enter the plain puts his 20 kg camping backpack on top of it 😤 Once the hostess actually took my acoustic to an empty first class seat :’)
I moved to Germany two years ago and brought two basses with me, a 4-string Jazz and an Ampeg-style baby bass. I spent the previous two months asking everyone I could find who was flying with Lufthansa how were they boarding these days to make sure I would book the best seat possible, asked the flight crew before boarding and managed to board first and found enough space for both basses in the overhead compartments (I was flying with my wife so each one of us had the right to one instrument).
I recently returned to Australia from the Netherlands with a new guitar. A headless Steinberger copy Spirit in bright yellow. It didn’t fit my case, but as luck had it, it just fit my wife’s so we swapped. Wrapped the guitar with clothes & packed the bag with other clothes. Had a fragile tag put on the bag. Added a tracking device to the gig bag & I was able to check that it made it on board the connecting flight.😂 Thankfully, it arrived safely back home.
Flights in general are so much more difficult if you have any requirements beyond the bare minimum. If you have anything remotely expensive or important to take with you, you have to expect it to be damaged. I’ve had a wheelchair returned in pieces from the cargo hold, which completely sobered me up from ever taking a flight again.
i don’t have any experience with flying with instruments, but i work as a deckhand on a ferry, and we’ve had musicians transporting instruments. our luggage policy is very clear that luggage isn’t allowed in the cabin due to fire risk, but if there’s enough room, we allow musicians to keep the instrument with them. i figure, you need the instrument in one piece to travel with it, better safe than sorry
Best tip for travelling with instruments within Europe for shorter trips: don’t fly. Some majors cities are connected within 2/3 hours train ride which actually saves you time compared to the whole to/from airport journey and buffers. Baggage policy is wayyy more flexible and with few or any check from crew. Paris-Lyon is a a 1h45 train ride taking you from city center to city center.
If you are brass player, make sure your valve oil, slide grease, and mouthpiece sanitizer are all packed in separate checked bags no matter how small a bottle of each is. How many bottles of this stuff wind up in the trash at an airport, no one knows. There is a classic picture of Boston Symphony Orchestra’s Doug Yeo’s trombone having landed on the tarmack, bell first, from the cargo hold on his website.
I’ve got a Gator Case for my acoustic guitar and its protected my acoustic well on multiple international flights. My last international flight however, I made it back to Germany but it turned out my guitar was taking a detour to Britain for a few days. Was a mild inconvenience and pretty stressful waiting hours for it and being told over and over that “its coming” until it wasnt… but woulda been unimaginably more stressful if I was relying on it for a show.
If they force you to check your guitar, I put a note FOR BAGGAGE HANDLER, I write ” please, this is a very meaningful instrument and fragile, I appreciate your care” I put $10-$20 dollars in the note and have the top taped to the bag. Just another way, when you preempt and ask for their help people usually do it.
As a professional triathlete in the 2000’s and having to fly all over the world with a big bulky bike case, this article really hit home. It was so incredibly stressful rolling up the airport with absolutely no idea if you would get your bike on for free or be charged $200. It was crazy and often just came down to how the check in attendant was feeling that day. And then of course arriving on a different continent to find out your bike wasn’t there and might not be there by race time. I don’t miss the stress of traveling like that at all!
I’ve been an Airline Pilot and Saxophone player for a number of years now and my recommendation is to use a Pelican Case. These types of cases are used by airlines to ship delicate aircraft parts between cities by the airlines themselves. Not a perfect solution, but better than a standard hard instrument case.
another thing thats a concern for some insturments is the materials. Many valuable vintage woodwinds contain ivory or other such restricted materials which can cause endless headaches trying to travel with. Even if you have all the proper paperwork to prove that its an antique and exempt from anti-poaching import restrictions, customs agents will still frequently try and confiscate it from you. I would never ever allow my bagpipe drones to be checked for this reason. I’d sooner skip the flight entirely, because theres a very real risk checking them that a baggage inspector confiscates them entirely out of my hands.
Try international flights with a cello. You have to buy its own seat in the cabin, so it is extra expensive. The plus is that you get to board early before anyone else and the flight engineers will come and strap it down to the seat. Unfortunately, you have to deplane last…because the engineers have to come and unstrap it from the seat.